After the extensive tour of "Trascendi e Sali," Alessandro Bergonzoni returns to the theater with his new show, "Arrivano i dunque (avnotti, sole blu e la storia della giovane saracinesca)." "An auction of thoughts where I seek the highest bidder to auction the meaning of things: perhaps that of a bird or a poet." A scenic, multifunctional space where he can continue his artistic research in the territories that in recent years have seen him actively participate in both artistic and social events, actively applying the "...conjunctivitis where I overcome the misunderstanding, to the point of disproportionate unity, between art and fate, Flemish artists and arsonists, van Gogh and Bangkok, good and Mahler, out-of-touch blood and stigmata, stigmata and astigmatism, Dalí and Allah."

And if we want to find another Bergonzonian signature in this new production, along with his comic writing, we must look for it in "Creality," another of his inventions, which expresses, in a thought that becomes a neologism, the true moral tension of this unique artist: the attempt to recreate a reality that not only is no longer sufficient for us, but that we can/must reinvent day by day in search of a future of absolute peace and definitively more welcoming, even to the threshold of new perceptions and other meanings. So "Then Come" because time is full and, as Bergonzoni asks, "Is there not much time left? Is it useless anyway? Not for nothing does everything ask!"