Hate is the entire custom of contemporary society under the laser beam of Arianna Porcelli Safonov 's sarcasm, to be able to return home a little less alone, to think that one can still think.

A show with a new format for Arianna: just a microphone and a ferocious inventory of all the declinations of evil that continue to be sold to us as a panacea, where the lectern and the set have disappeared. Arianna Porcelli Safonov constructs with invisible ink, a fierce yet irresistible magnifying glass that focuses on the uncomfortable corners of even our most cherished and untouchable themes, reminding us that up close, no one is normal, but from afar, if we are aware, there is still time to escape.

A cabinet of wonders in reverse, of things we should hate and instead are forced to buy, a ring where we laugh, but in the meantime the balance of common sense is restored thanks to the purest provocation, understood in its profound etymological meaning of pro-voking, bringing out.

Odiario takes the buttoned-up gaze of public opinion by the hand and takes it for a walk to show it, one by one, some less traveled, scandalous perspectives
and cathartic on: gender identity, mindfulness, war, artificial intelligence, pet-
therapy, just therapy, electric cars, relationships, language, mass media, inclusion and exclusivity.

Odiario is a cleansing show that gets into your head quickly, powerfully, causticly, but above all, useful, once we've gone out into the streets and returned to our respectable lives, never to leave again. For better or for worse.